gavin makes

Costumes, props and electronics

Category: cosplay

  • Running cosplay prop retros

    Running cosplay prop retros

    I’ve just written about max’s hammer and wanted to introduce a technique from my day job to assess how that prop build went. These are called retros, short for retrospective. We regularly do a team retrospective in my work to assess how we are working and change or improve things which are not going well, as well as celebrate things which are working. A retro is a good way of improving your own ways of working or evolving your cosplay practice.

    Applying this approach to cosplay means doing this after the con / photoshoot and taking some time to reflect on how the overall build experience felt. The basic approach is to assess what you did and what the outcome of that activity was. Did it work well, was there anything you would do differently next time? Then assess each element of the prop or costume to see could it be improved or did you start in completely the wrong place and still succeed!

    We did this between us once the dust had settled after the Leo Valdez cosplay and before we started on the sword build for Razor.

    I want to apply the same retro ideas to cosplay. There are many formats for an agile team retrospective from “Sad, mad and glad” to “stop, start and continue” and lots of others. Cosplay builds are often done on your own or maybe with one other person, so I’ll use Liked, Learned, Lacked, Longed For (4Ls) as an approach here, as it is more process focused and softer in nature compared to “Stop, start and continue”.

    Liked – foam is good to work with; acrylic paints are very usable; Mod Podge is effective as a primer; cosplay is fun, we’d do it again!

    Learned – making wood handles which look realistic. prototyping with the paper templates for scale and using foam to mock up the squaricle design

    Lacked – time, but I think this will always be true; making decisions on which character to cosplay early will give more time

    Longed for – a painting and varnishing spray booth would be helpful; incorporating some lights and sounds into the props would be fun.

    Retro outcomes – Having run the retro we kept the prototyping approach and decided on characters by January for the following May Comic-con. We largely stuck with foam and acrylic paints as build materials. I’d use the pin based approach to transfer wood patterning again.

    Electronics prototype for the blackcliffe slasher sword.

  • Making the forge hammer for Leo Valdez

    Making the forge hammer for Leo Valdez

    Max read the Percy Jackson books and keen on the idea of being one of the characters for his first cosplay. Leo Valdez was the character Max wanted to be.

    The primary prop was a big forge hammer. We made it mainly from EVA foam and it was a fun build. Two things I will highlight is the wooden handle technique and how to create the squaricle hammer head shape. UPDATE: plans are now on Etsy for £6 including detailed instructions.

    forge hammer

    Firstly to get the right sense of scale, we started with a regular sledgehammer from amazon, biggest one we could find, which was 16lbs, over 7kg. Then made a paper plan of that and gradually scaled it up to a suitably heroic scale. We got Max to hold it to check sizing and went for the largest of the three templates below.

    The hammer head ended up being larger than Max’s head, but it looked great and he got quite a few complements.

    To get the hammer head right shape we looked at blacksmiths forging hammers, like this one from etsy. A lot of templates for cosplay hammers use individual panels to create the hammer head, but using one piece of foam made the hammer feel more like a tool. No seams showing or joins in the foam.

    The template meant each side was about 10cm in size, so we cut a single piece of 10mm eva foam and then cut a v-shaped section out of the foam to allow it to fold and have nearly 90 degree angles. You can see the test strip we did the initial prototyping on above the flattened out hammer head. Contact adhesive (I like Alpha Thixofix) helped the foam take its shape and then affixed it to the handle.

    We added a second layer of foam inside the head to make the connection area between the head and the handle larger. The last part of the hammer head were the faces for the hammer and the ends of the handle, the photo below is the top and bottom of the handle before heat-treating, priming and painting.

    You can see the hammer head taped up and curing in the photo below.

    The handle was a piece of plastic pipe which was wrapped in foam. Max did an excellent job of mapping wood grain onto the handle and then carving it with a dremel. The snake handle or Flexible Shaft Attachment is essential for carving EVA foam, it makes the work less tiring, as it is easier to hold. Some safety kit, as you can see in the photos is important too. A set of sealed eye goggles, some breathing kit with the dust and A2 vapour filters and some ear protectors will save your eyes, nose and lungs as well as your hearing from the dremel dust.

    Testing out how to make wood grain

    Mapping across the tracing of the wood grain before carving. Max used pins to transfer the tracing from paper onto the foam, which was really effective.

    It then got painted and we stuck the handle onto the head of the hammer and added bit of aging to make it look less like it was just made. It would have been good to have more time to do the aging, but the hammer had a final coat of varnish the night before comic-con at 1am!

    I’ve taken the plans and put them on Etsy, they are £6.

  • Upcoming cosplays

    Upcoming cosplays

    I’ve a few ideas for new cosplays for MCM comic-con this May in London.

    I’m very taken with Buggy the clown pirate from One piece. That might be a mainly bought costume, as making that coat might be beyond my sewing skills.

    Buggy

    I’m also keen on Loki from the last few minutes of season 2, all forest feel and green lights, plus that crown. That’s more likely to be a full build.

    Loki from Season 2 ©️Disney / Marvel

    I’ve also looked at Fangorn /Treebeard, the Ent from Lord of the Rings. Huyang from Ashoka also appealed, I will do a full armour costume some time.

  • Making a Blackcliff Slasher, a Geshin Impact great sword pt 1

    Making a Blackcliff Slasher, a Geshin Impact great sword pt 1

    We made a huge EVA foam sword for Max to use at Comic-Con. It was about five foot long and lit with leds,

    It was really popular and lots of people stopped Max to get a photo with him.

    The sword has a wooden core and then EVA foam to shape it, we started with a template from NATA cosplay (thanks!) and then adapted it to work with the electronics.

    Full how to coming soon with example code and circuit diagram.

  • Being Peter Quill (first time)

    Being Peter Quill (first time)

    picture of me as Peter Quill in my garden

    Back in May, I did a version of Peter Quill, Star Lord from Guardians of the Galaxy. It was great fun to be him for the day. The main element of the costume I made was the elemental gun aka his blaster.

    This was a bought orange and white prop, which I split open to fit electronics inside and then ran out of time to complete, though I got close.

    Needed to shift focus to help Max finish the sword.